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Stephanie Metz
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In the Studio
Stephanie Metz
Contact/About
Work
News
Shop
Workshops
Commissions
In the Studio
Contact/About
Work
News
Shop
Workshops
Commissions
In the Studio
Stephanie Metz Sculpture - Shop Curve Composition: Inversion, industrial felt and wood, 24 x 20 x 5 inches, 2022
Inversion front.jpg Image 1 of 4
Inversion front.jpg
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Inversion Detail Stephanie Metz.jpg
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Inversion Left Side Stephanie Metz.jpg
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Inversion Right Side Stphanie Metz.jpg
Inversion front.jpg
Inversion Detail Stephanie Metz.jpg
Inversion Left Side Stephanie Metz.jpg
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Curve Composition: Inversion, industrial felt and wood, 24 x 20 x 5 inches, 2022

$2,000.00

This one-of-a-kind wall-hanging sculpture is made of stitched industrial felt over stretcher bars. ‘Curve Compositions’ appear solid, elegant and sturdy in defiance of their humble materiality; disarmingly simple, as complex forms so often are.

Light barely reflects off the fibrous textured surfaces; when hanging on the wall, the range from dark to light across each piece is subtle and changes with the ambient light. Curves abound, both in the outlines of the formerly flat pieces stitched together, and the resulting forms.

Copyright of these images is retained by Stephanie G Metz.

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This one-of-a-kind wall-hanging sculpture is made of stitched industrial felt over stretcher bars. ‘Curve Compositions’ appear solid, elegant and sturdy in defiance of their humble materiality; disarmingly simple, as complex forms so often are.

Light barely reflects off the fibrous textured surfaces; when hanging on the wall, the range from dark to light across each piece is subtle and changes with the ambient light. Curves abound, both in the outlines of the formerly flat pieces stitched together, and the resulting forms.

Copyright of these images is retained by Stephanie G Metz.

This one-of-a-kind wall-hanging sculpture is made of stitched industrial felt over stretcher bars. ‘Curve Compositions’ appear solid, elegant and sturdy in defiance of their humble materiality; disarmingly simple, as complex forms so often are.

Light barely reflects off the fibrous textured surfaces; when hanging on the wall, the range from dark to light across each piece is subtle and changes with the ambient light. Curves abound, both in the outlines of the formerly flat pieces stitched together, and the resulting forms.

Copyright of these images is retained by Stephanie G Metz.

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