Bone Study #4, Wool Drawing
Bone Study #4, Wool Through Paper, 15 x 22, 2016
This one-of-a-kind wool drawing through paper is based on a close study of bone specimens observed and photographed at natural history museums. I wanted to capture the planes, fissures, and edges that make up the architecture of life forms.
There's something about seeing a drawing from afar, assuming it's made of ink or perhaps charcoal, and then getting up close and seeing that it's HAIR. I created this wool drawing by punching naturally-colored tan and black wool fiber through cream-colored paper using a felting needle; half of the wool protrudes through the back side of the thick paper. This is an Open Edition, meaning I may revisit this drawing again-- but each wool rendition will be unique. Yes, as far as I know I invented this technique, such as it is. At least I never saw or knew of anyone else using felting needles to 'draw' with wool by pushing it through paper; I started doing this in 2007.
This drawing is neither matted nor framed. Framing should ideally be in a shadowbox or surrounded with several layers of matting to let the hairs have space. Please display this work under UV glass or out of direct sunlight; like watercolor paintings, the color of the wool may change over time in direct sun.
This is an oversized item; shipping reflects best estimate but may be adjusted or partially reimbursed upon shipping.
Bone Study #4, Wool Through Paper, 15 x 22, 2016
This one-of-a-kind wool drawing through paper is based on a close study of bone specimens observed and photographed at natural history museums. I wanted to capture the planes, fissures, and edges that make up the architecture of life forms.
There's something about seeing a drawing from afar, assuming it's made of ink or perhaps charcoal, and then getting up close and seeing that it's HAIR. I created this wool drawing by punching naturally-colored tan and black wool fiber through cream-colored paper using a felting needle; half of the wool protrudes through the back side of the thick paper. This is an Open Edition, meaning I may revisit this drawing again-- but each wool rendition will be unique. Yes, as far as I know I invented this technique, such as it is. At least I never saw or knew of anyone else using felting needles to 'draw' with wool by pushing it through paper; I started doing this in 2007.
This drawing is neither matted nor framed. Framing should ideally be in a shadowbox or surrounded with several layers of matting to let the hairs have space. Please display this work under UV glass or out of direct sunlight; like watercolor paintings, the color of the wool may change over time in direct sun.
This is an oversized item; shipping reflects best estimate but may be adjusted or partially reimbursed upon shipping.
Bone Study #4, Wool Through Paper, 15 x 22, 2016
This one-of-a-kind wool drawing through paper is based on a close study of bone specimens observed and photographed at natural history museums. I wanted to capture the planes, fissures, and edges that make up the architecture of life forms.
There's something about seeing a drawing from afar, assuming it's made of ink or perhaps charcoal, and then getting up close and seeing that it's HAIR. I created this wool drawing by punching naturally-colored tan and black wool fiber through cream-colored paper using a felting needle; half of the wool protrudes through the back side of the thick paper. This is an Open Edition, meaning I may revisit this drawing again-- but each wool rendition will be unique. Yes, as far as I know I invented this technique, such as it is. At least I never saw or knew of anyone else using felting needles to 'draw' with wool by pushing it through paper; I started doing this in 2007.
This drawing is neither matted nor framed. Framing should ideally be in a shadowbox or surrounded with several layers of matting to let the hairs have space. Please display this work under UV glass or out of direct sunlight; like watercolor paintings, the color of the wool may change over time in direct sun.
This is an oversized item; shipping reflects best estimate but may be adjusted or partially reimbursed upon shipping.
Copyright 2018 Stephanie Metz. No reproduction rights are granted to the buyer. Work may not be reproduced in any form without written consent of Stephanie G. Metz.
To license this image please contact the artist directly at stephanie(at)stephaniemetz.com .
