News and Events


Spring Open Studio

Do you want to touch the art? Join me on Saturday and Sunday, May 19th and 20th, from 11am until 5pm for a behind-the-scenes look (and touch) at what I'm working on. Get your hands on my large-scale, touchable sculpture project 'InTouch', see pieces from other bodies of work, and even try your hand at needle felting!  20 artists will be participating at this event, part of Silicon Valley Open Studios. Walk among the four buildings that make up The Alameda Artworks in San Jose to see paintings, prints, drawings, sculpture, and photographs. 1068 the Alameda, San Jose, CA. See a printable map of the studio complex here.

May 9 2018 Studio View.jpg

Seeking volunteer felters

Join me at a Felting Party and dust off your needle felting skills or learn some brand new ones; spend a social day covering large fiber sculptures with white wool and help create touchable sculpture for my InTouch exhibition at the de Saisset Museum in Santa Clara. 

What: Volunteers coming to my studio to help needle felt wool onto large sculptures
When: 10am - 4pm; please see the available dates here and choose any you'd like.
Where: The Alameda Artworks, 1068 The Alameda, San Jose, CA 95126

More details are on the signup page. Hope you can join me!


Jacobin, wool through paper, 30" x 22", 2017.

Birds & Bees

January 29 - June 2, 2019.

Birds & Bees is a group show presented at the Lubeznik Center for the Arts. The range of media is diverse, consisting of drawing, printmaking, painting, sculpture, water color, mixed media and installation. Artists share their personal interpretations and connections to birds or bees from highly detailed illustrations to more abstract interpretations, some with humor but always with a story.

This exhibit intends to celebrate these creatures while bringing awareness to their environmental plight. It questions why habitats are at risk and investigates what is now extinct. Birds and bees are crucial for our environment to remain sustainable, and they are dependent on conditions allowing for their survival and support. Through this show The Lubeznik Center will engage community birders, bee keepers, artists and environmentalists to participate in the show and contribute to interpretive programs.   

My work in the exhibition will consist of five of my pigeon wool drawings depicting (fairly realistically) the fantastic and strange variations of 'fancy pigeons'.

Invited artists include Aimee Beaubien, Kimberly Beck Karen BondarchukLauren Levato CoyneLadislav HankaLaurel Roth HopeKristina Knowski, and Stephanie Metz.



Flesh & Bone Panel Study #2 (Fold Valley), wool, industrial felt, 21" x 21" x 6", 2014. Currently available at Jack Fischer Gallery, SF.

Flesh & Bone Study #8 (Twisting Fin), wool, wood, 10.5" x 6.25" x 3.5", 2014. Currently available at Jack Fischer Gallery, SF.

Works currently viewable at Jack Fischer Gallery, SF

Two pieces can currently be seen in Jack's back room in his 311 Potrero Avenue Location: Flesh and Bone Panel Study #2 (Fold Valley) and Flesh & Boe Study #8 (Twisting Fin). Gallery hours are Tuesday - Saturday 11 - 5:30 and by appointment.


Previously on view in San Francisco

Jack Fischer Gallery presented Against the Grain, a two-person show featuring the work of Stephanie Metz and Kyong Ae Kim. The show ran through February 25, 2017.

Organic forms, unusual materials and process-oriented work create a dialog between the artists. Both undermine the structure of hardness by visually breaking it down in translucent layers or rendering it in soft materials. Hard versus soft, solid versus layered, strong yet delicate, both body of works contain opposing qualities creating an intrinsic contradiction that is visually engaging.

Stephanie Metz’s use of felted wool is an ongoing investigation into its potential for physical manipulation and conceptual redefinition. Her current body of work, Flesh & Bone, is a series of small studies and human sized sculptures that reference parts of the body, from soft weighty folds of flesh to the stripped down abstract architecture of bones.

Metz’s process is laborious and exacting: a slow, deliberate accumulation of fibers compacted into nearly solid and precise shapes through repetitive hand work with sharp, notched felting needles. Felt may be a ubiquitous material, yet few are familiar with its manufacture or its sculptural capacity.

Kyong Ae Kim’s recent work Paper Stroke and The Skulls directs us to study the symbiotic relationships of living creatures. While fragile and vulnerable they are constantly challenged by their surroundings to evolve and hybridize.

Kyong sculpts miniature figurines, which are photographed and digitally manipulated. Subsequently, the digital images are transformed into multiple layers to imply the time and evolutionary processes. Kyong’s latest work, The Skulls is sourced from photographs of endangered species such as the polar bear and elephant. The artist oscillates between the virtual and physical steps to amplify the images. These processes are vital to precisely eliminate, layer, simplify, and hybridize the forms to generate the complexity.



Stephanie has been named a 2015 Artist Laureate by Silicon Valley Creates, the Santa Clara County nonprofit whose mission is to ignite investment and engagement in arts and creativity in Silicon Valley. Now in its 25th year, the Artist Laureate Program awards grants to artists in honor of their creative work and contribution to the community.